grOnk magazine, sixth series: issues 1, 2-3, 4, 5, 8 (part 8)

This sixth series of grOnk magazine – at this time, edited by bNichol with Steve McCaffery, bill bissett, dave uu “with an assist from rah smith and david aylward” – is devoted to the work of McCaffery. All but two issues (2-3 was published in 1970) in the series are undated but I’m guessing they were all published in the early 1970s. Every issue was published as single sheets of 8.5 x 11 paper stapled twice.

Issue one (download the pdf here) features five abstract concrete poems by McCaffery using typewriter, dry transfer lettering (I believe), stamp, and copier machine.

Issue two-three (download the pdf here) features McCaffery’s “TRANSITIONS TO THE BEAST” which he calls “post-semiotic poems.” On the final page of the collection, McCaffery writes:

to the beast are for me transitional pieces moving towards a hand drawn set of visual conventions that have their roots both in semiotic poetry & in the comic strip. the semiotic or code poem (invented about 1964 by the brazilians pagnatari & pinto) uses a language of visual signs designed & constructed to suit the individual desires of the poet & the needs that he as linguistic designer assumes for the poem on that particular occasion of construction.

Issue four (download the pdf here) is titled, I believe “MELON LEMON” and continues McCaffery’s investigations into the visual, hand-drawn, typewritten poem that moves to the far edge of semantic meaning.

Issue five (download the pdf here) is “COLLBORATIONS” by both bpNichol and Steve McCaffery which does manage to appear as a perfect meshing of Nichol’s own comic-strip, hand-drawn aesthetic and McCaffery’s more abstract and geometrically precise concrete poems.

Finally, issue eight (download the pdf here) features McCaffery’s “MAPS: a different landscape” in which he experiments with the page as a space for linguistic-cartographic experimentation, taking a cleaner and more legible approach to the notion of cartography in poetry than he did with “Carnival.”

> See also grOnk magazine: Canadian Concrete Poetry 1967-1988 (Part 1)

> See also bpNichol’s “Singing Hands Series”: Canadian Concrete Poetry 1966 (Part 2)

> See also grOnk magazine: first and second series 1967 – 1970 (Part 3)

> See also grOnk magazine: third series, issue 1 1969 (part 4)

> See also grOnk magazine: third series, issues 3, 4, 7, 8 1969 (part 5)

> See also grOnk magazine, fourth series: issues 1, 2, 3, 4, 6, 7 1968-1971 (part 6)

> See also grOnk magazine, fifth series: issues 1, 2, 3, 4, 5, 6, 8 (part 7)

Advertisements

Tags: , , , , , , , , , , ,

Categories: bookbound, criticism, grOnk, media poetics, poetry

Author:Lori Emerson

I am an Associate Professor of English and Intermedia Arts, Writing, and Performance at the University of Colorado Boulder. I'm the author of Reading Writing Interfaces: From the Digital to the Bookbound and co-editor of the Johns Hopkins Guide to Digital Media.

Subscribe

Subscribe to our RSS feed and social profiles to receive updates.

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: