media archaeology is literary studies

Katie Price and the good folks at Jacket2 Magazine requested short answers to a quick question on how media archaeology informs literary studies. Along with great responses by Aaron Angello, Jussi Parikka and Jane Birkin, I contributed the following paragraph: If you believe that media archaeology largely coalesces in the writing of Friedrich Kittler, then […]

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from typewriters to telematics, media noise in Robert Zend

I’ve recently started working on my next book project, at the moment titled “OTHER NETWORKS,” which will be a history of pre-Internet networks through artists’/writers’ experiments and interventions. My last book, Reading Writing Interfaces, begins and ends with a critique of Google and magic, or sleights-of-hand that disguise how closed our devices are by cleverly diverting […]

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“Computers and the Arts”, Dick Higgins (1968)

About a year ago, I was working on the third chapter of Reading Writing Interfaces – “Typewriter Concrete Poetry as Activist Media Poetics” – during which I discovered, among other things, the mutual influence of concrete poetry and Marshall McLuhan. One figure I promised myself I needed to research further once I’d finished my book […]

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“Reading Writing Interfaces” Book Project Description

Reading Writing Interfaces: From the Digital to the Bookbound (forthcoming University of Minnesota Press, 2014) Table of Contents: Introduction Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier 1.0 Introduction | Invisible, Imperceptible, Inoperable 1.1 Natural, Organic, Invisible 1.2 The iPad | “a truly magical and revolutionary product” 1.3 From Videoplace […]

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Laughing Gland (pdfs)

After studying and writing poetry under the guidance of Douglas Barbour at the University of Alberta, in the late 1990s I made my way to the University of Victoria to do an M.A. with Barbour’s long-time sound poetry collaborator Stephen Scobie. I went there to write a thesis on bpNichol and sound poetry and, in […]

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