“Computers and the Arts”, Dick Higgins (1968)

About a year ago, I was working on the third chapter of Reading Writing Interfaces – “Typewriter Concrete Poetry as Activist Media Poetics” – during which I discovered, among other things, the mutual influence of concrete poetry and Marshall McLuhan. One figure I promised myself I needed to research further once I’d finished my book […]

Read More…

D.I.Y. Typewriter Art

Download the pdf here. This lovely oddity arrived in the mail yesterday – Bob Neill’s Book of Typewriter Art (with special computer program) from 1982. It’s so difficult to capture its lovely oddness is just a few sentences or images so I decided to scan the entirety of the book and make it available here […]

Read More…

“Reading Writing Interfaces” Book Project Description

Reading Writing Interfaces: From the Digital to the Bookbound (forthcoming University of Minnesota Press, 2014) Table of Contents: Introduction Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier 1.0 Introduction | Invisible, Imperceptible, Inoperable 1.1 Natural, Organic, Invisible 1.2 The iPad | “a truly magical and revolutionary product” 1.3 From Videoplace […]

Read More…

Laughing Gland (pdfs)

After studying and writing poetry under the guidance of Douglas Barbour at the University of Alberta, in the late 1990s I made my way to the University of Victoria to do an M.A. with Barbour’s long-time sound poetry collaborator Stephen Scobie. I went there to write a thesis on bpNichol and sound poetry and, in […]

Read More…