After taking a brief hiatus from digitizing the issues of grOnk magazine that Nelson Ball so generously donated to me, I’m happy to present to you here the rest of the third series of grOnk, published by bpNichol mostly throughout 1969. While there are eight issues in this series, I only have issue 1 (available here), 3,4, 7, and 8.
Issue 3 consists of Phone Book, by Gerry Gilbert, with a found prose insert (I assume also by Gerry Gilbert but, as jwcurry points out in a comment to this post, it could just have easily have been included by bpNichol. The Gerry Carrier was a brand-name for, of course, a carrier). Phone Book is a typewritten book of poetry published in association with Nelson Balls’ Weed Flower Press in 1969. The cover design is by the painter Barbara Caruso, with whom Nichol worked collaboratively on a number of occasions (the most stunning, beautiful example is, in my opinion, The Adventures of Milt the Morph in Colour).
Issue 4 is another typewritten, concrete poetry-esque collection: Nelson Ball’s Force Movements. The digitized version I’ve made available here is actually a second edition, slightly revised, that Curvd H&z published in November 1990. It was first published by Ganglia Press as grOnk 3:4 in July 1969.
Issue 7 is a long, narrow, typewriter-concrete poem Sprouds and Vigables by D.R. Wagner. It was published in an edition of 250, also in July 1969. Note that the text of the first poem echoes a later Four Horsemen sound poem, “In the Middle of a Blue Balloon,” from their 1973 album CANADADA.
Issue 8 is a short, untitled piece by John Riddell – like the others in the third series, this too is typewritten concrete but with the difference that here Riddell also explores, or explodes?, geometrical shapes and patternings which intersect and break up the typewritten language.
Finally, for the first time I’m also making available a pdf of the “BIG MID-JULY GRONK MAILOUT” – a kind of newsletter that accompanied third series issues 3 through 7. The “mailout”, three sheets of different coloured paper stapled together, includes an announcement about the third series, details on how to order copies, as well as bits of news about forthcoming pieces not only from Ganglia/grOnk but also Coach House Press, an issue of Stereo Headphones – a small journal published by Nicholas Zurbrugg in England that was about “THE DEATH OF CONCRETE” – and a series of cassette tape recordings by David UU. These mailouts are fascinating to me because they read as a bookbound version of an equally community-driven blog or twitter feed about contemporary, non-mainstream poetry and poetics.