Artist Residency at the Media Archaeology Lab

At the invitation of MAL curator Mél Hogan, on Monday February 11th conceptual artist Joel Swanson gave a talk about the art project he’s working on in and for the lab on the history of computer keyboards and what symbolic or cultural meaning there might be in the presence or absence of certain keys. (In fact, Joel has already done some work with keyboards by way of his ultra-minimal, conceptual piece called “Spacebar” from 2012.) Here is the video of Joel’s artist talk in the lab:

I’m very keen to see what Joel comes up with as I am fascinated with some of the keyboards in the lab, including an original keyboard for the Apple Macintosh from 1984 which famously has no arrow keys so that users were forced to use the mouse.

apple_macintosh_plus_keyboa

As I’ve written elsewhere on this blog, the lab also has Commodore 64 computers which for example, came with both a ‘Commodore’ key that gave the user access to an alternate character set as well as four programmable function keys that, with the shift button, could each be programmed for two different functions.

Commodore64

By contrast, Apple II computers came with two programmable function keys and Apple III, IIc and IIe computers came with open-Apple and closed-Apple keys that provided the user with shortcuts to applications such as cut-and-paste or copy.

apple-IIe

I hope this is the first of many more artist residencies in the lab!

Advertisements

One thought on “Artist Residency at the Media Archaeology Lab

  1. Pingback: Joel Swanson | media archaeology lab

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s