from “Web Stalker” to the Googlization of Literature

I’m nostalgic for a moment I never lived through – when we were concerned enough with monopolies over access to information online that not only did we call the competition between Microsoft’s Internet Explorer and Netscape Navigator a “browser war,” but there were even competitions such as the Amsterdam-based “Browserday” to design new, innovative browsers. […]

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It’s Not Digital Humanities – it’s Media Studies

Thanks to the generosity of people at the Library of Congress such as Trevor Owens, I was fortunate to have the opportunity to interview media archaeologist Wolfgang Ernst on the LOC’s blog The Signal. I especially wanted to talk with Ernst not only about his Media Archaeological Fundus (MAF), which bears a strong affiliation to […]

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D.I.Y. Typewriter Art

Download the pdf here. This lovely oddity arrived in the mail yesterday – Bob Neill’s Book of Typewriter Art (with special computer program) from 1982. It’s so difficult to capture its lovely oddness is just a few sentences or images so I decided to scan the entirety of the book and make it available here […]

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Media Archaeology and Digital Stewardship

I was fortunate to have the chance to think through the relationship between the field of media archaeology, the Media Archaeology Lab, and digital preservation/stewardship thanks to this interview with Trevor Owens on the Library of Congress blog, The Signal, called “Media Archaeology and Digital Stewardship: An Interview with Lori Emerson.” The invitation to talk […]

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“Reading Writing Interfaces” Book Project Description

Reading Writing Interfaces: From the Digital to the Bookbound (forthcoming University of Minnesota Press, 2014) Table of Contents: Introduction Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier 1.0 Introduction | Invisible, Imperceptible, Inoperable 1.1 Natural, Organic, Invisible 1.2 The iPad | “a truly magical and revolutionary product” 1.3 From Videoplace […]

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Laughing Gland (pdfs)

After studying and writing poetry under the guidance of Douglas Barbour at the University of Alberta, in the late 1990s I made my way to the University of Victoria to do an M.A. with Barbour’s long-time sound poetry collaborator Stephen Scobie. I went there to write a thesis on bpNichol and sound poetry and, in […]

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