dot net
While I’m not finding this conversation between Mark Bernstein and myself to be terribly productive, I also am not fond of having my opinions mis-represented. Allow me, then, to post one final time about the wording in our MLA 2012 proposal. I’ve had a few days to think and I now recognize that – while […]
Read More…By putting our MLA 2012 panel proposal online I was hoping to generate enthusiasm not only for the fact that panels on e-literature are becoming ever-more accepted at MLA but also for the various innovative approaches we all take to the notion of ‘interface’ and e-literature. However, Mark Bernstein recently posted on his website on […]
Read More…Below are abstracts for the papers that Dene Grigar, Stephanie Strickland and Marjorie Luesebrink, myself, and Mark Sample will present at the January 2012 MLA Annual Convention in Seattle. Our papers could certainly change between now and then, but for now…here is the shape of our panel. [Note: as of January 12, 2012 a copy […]
Read More…In August 1967 bpNichol published the last (and eighth) issue of the first series of grOnk magazine; this issue features the almost entirely non-textual, visual, comic-book-like, frames-within-frames structure of “Scraptures: Sequence Eleven.” (This work is already available on bpnichol.ca.) The second series of grOnk was begun in September 1968 and the issues for this series […]
Read More…I’m starting to understand that part of the reason why few people, if anyone, has a complete run of grOnk is because it appears the print runs for each issue varied vastly (from 20 to, say, 200 copies); some Nichol simply gave away to friends, others he distributed through the Village Bookstore in Toronto, and […]
Read More…The most remarkable package arrived in the mail last week from Nelson Ball, longstanding Canadian poet, editor, book-seller and husband to the remarkable Canadian painter Barbara Caruso: a nearly complete set of grOnk magazine along with bpNichol’s Captain Poetry Poems, the second issue of Grease Ball Comics, and Nichol’s “Cold Mountain.” It’s difficult for me […]
Read More…What a pleasure to open this, the latest issue of the University of Calgary-based Dandelion Magazine dedicated to “mapping.” The editors Dana Avasilichioaei and Kathleen Brown haven’t just produced a special issue which draws together “varied art practitioners from North America and Europe whose work in languages, visual arts, architecture, environmental design, cultural production, sound […]
Read More…It has been a great honor to have the opportunity to begin work on the Johns Hopkins Guide to Digital Media (forthcoming 2014) with my co-editors Marie-Laure Ryan and Benjamin Robertson. Our rationale for this guide has been that the study of “digital media”—the cultural and artistic practices made possible by digital technology—has become one […]
Read More…Keith Moore has been the Archeological Media Lab‘s most generous donor and a consistent contributor to a series of guest blog posts that I’m calling “a life in computing” on the history of computing from the perspective of folks who have actually worked in the computer industry since the 1970s. Here he touches on his […]
Read More…LORI EMERSON: Thanks so much Derek for being willing to talk about your concrete poetry work with me. I’ve long admired your experiments in concrete but recently, since I started to research the origin of the term “dirty concrete” and to think about Steve McCaffery’s Carnival in relation to what I call “digital DIY,” your […]
Read More…
loriemerson 