grOnk magazine: third series, issue 1 1969 (part 4)

In April 1969 bpNichol (along with David UU, John Riddell, Bill Bissett, and John Simon) published 300 mimeographed copies of the first issue of the third series of grOnk magazine. “QUOTE” by Gerry Gilbert, written in July 1965, is the most difficult, or impossible, of the grOnk issues to digitize since it consists of 23 […]

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grOnk magazine: first and second series 1967 – 1970 (Part 3)

In August 1967 bpNichol published the last (and eighth) issue of the first series of grOnk magazine; this issue features the almost entirely non-textual, visual, comic-book-like, frames-within-frames structure of “Scraptures: Sequence Eleven.” (This work is already available on bpnichol.ca.) The second series of grOnk was begun in September 1968 and the issues for this series […]

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grOnk magazine: Canadian Concrete Poetry 1967-1988 (Part 1)

The most remarkable package arrived in the mail last week from Nelson Ball, longstanding Canadian poet, editor, book-seller and husband to the remarkable Canadian painter Barbara Caruso: a nearly complete set of grOnk magazine along with bpNichol’s Captain Poetry Poems, the second issue of Grease Ball Comics, and Nichol’s “Cold Mountain.” It’s difficult for me […]

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copier machine poetics

bpNichol’s Translating Translating Apollinaire is a series of typewriter poems, not simply poems written on a typewriter, Nichol wrote between 1975 and 1979. In its relentless exploration of homolinguistic translation, it has become something of a cult serial poem in certain experimental writing circles, spawning iterations such as Stuart Pid’s Translating translating translating Apollinaire and […]

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media studies and the typewriter poem

Media studies is commonly associated with the study of digital media structures and related phenomena. But the more media theory I read (and lately I’ve been voraciously reading everything by Marshall McLuhan that’s outside of the well-worn Understanding Media) the more drawn I am to thinking through the defining effects of earlier analogue and digital […]

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