D.I.Y. Typewriter Art

Download the pdf here. This lovely oddity arrived in the mail yesterday – Bob Neill’s Book of Typewriter Art (with special computer program) from 1982. It’s so difficult to capture its lovely oddness is just a few sentences or images so I decided to scan the entirety of the book and make it available here […]

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In-Progress Catalog of the MAL’s Holdings

With heartfelt thanks to my research assistant Caitlin Purdy and to Kyle Bickoff, a graduate student here at CU Boulder, the Media Archaeology Lab now has a nearly complete catalog of all its holdings. The catalog is clearly still a work-in-progress and, other than the just the organizational challenges in the document itself, the next […]

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Media Archaeology and Digital Stewardship

I was fortunate to have the chance to think through the relationship between the field of media archaeology, the Media Archaeology Lab, and digital preservation/stewardship thanks to this interview with Trevor Owens on the Library of Congress blog, The Signal, called “Media Archaeology and Digital Stewardship: An Interview with Lori Emerson.” The invitation to talk […]

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photos of the Media Archaeology Lab’s holdings

The Media Archaeology Lab was fortunate to have a visit this week from Kevin Kane, a talented student at the University of Colorado Boulder, who took a series of photos of some of the MAL’s holdings. We are working on compiling a complete, detailed catalogue of the lab’s complete holdings – until then, hopefully these […]

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“Reading Writing Interfaces” Book Project Description

Reading Writing Interfaces: From the Digital to the Bookbound (forthcoming University of Minnesota Press, 2014) Table of Contents: Introduction Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier 1.0 Introduction | Invisible, Imperceptible, Inoperable 1.1 Natural, Organic, Invisible 1.2 The iPad | “a truly magical and revolutionary product” 1.3 From Videoplace […]

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Laughing Gland (pdfs)

After studying and writing poetry under the guidance of Douglas Barbour at the University of Alberta, in the late 1990s I made my way to the University of Victoria to do an M.A. with Barbour’s long-time sound poetry collaborator Stephen Scobie. I went there to write a thesis on bpNichol and sound poetry and, in […]

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